Jimmy Smith - Back at the Chicken Shack CD

Back at the Chicken Shack

    Back at the Chicken Shack Jimmy Smith

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    Tracklisting

    Disc 1
    1. The Preacher
    2. The Champ
    3. Judo Mambo
    4. Lover Come Back to Me
    5. Well, You Needn‘t
    6. Fiddlin‘ the Minors
    7. Autumn Leaves
    8. The Jitterbug Waltz
    9. East of the Sun
    10. The Very Thought of You
    11. Old Devil Moon
    12. I Cover the Waterfront
    Disc 2
    1. Falling in Love with Love
    2. How High the Moon
    3. Funk‘s Oats
    4. I Let a Song Go Out of My Heart
    5. I‘m Getting Sentimental Over You
    6. Groovy Date
    Disc 3
    1. The Fight
    2. There Will Never Be Another You
    3. Blue Moon
    4. Zing! Went the Strings of My Heart
    5. Somebody Loves Me
    6. The Sermon
    7. Yardbird Suite
    8. Summertime
    Disc 4
    1. See See Rider
    2. Sugar Hill
    3. I Got a Woman
    4. Messin‘ Around
    5. Gracie
    6. Come On Baby
    7. Motorin‘ Along
    8. Back at the Chicken Shack
    9. When I Grow Too Old to Dream
    10. Minor Chant
    11. Messy Bessie

    More Details

    Number of Discs:
    • 4
    Publisher:
    • Membran
    Artist:

    Description

    Release Date: 22 August 2011

    Even though Jimmy Smith used both hands and even his feet when playing his mighty Hammond B3 organ, he single-handedly put the instrument on the Jazz-map. Born on December 8th 1925 (or 1928, as he later claimed) in Norristown, Pennsylvania, and christened James Oscar Smith, he took what little influence there was to get on the organ from Fats Waller or Wild Bill Davis and transformed the unwieldy “monster” into a swinging attraction. With a solid background in boogie-woogie piano, which even won him a radio-contest at the age of nine, and a sophisticated music education courtesy of the Royal Hamilton College of Music and the Leo Ornstein School of
    Music in Philadelphia, Jimmy purchased his first Hammond-organ in 1953 and rented a warehouse to practice in. A year or so later, he emerged onto the scene as “The Incredible”: a new musical phenomenon, which everyone wanted to hear and see. When Alfred Lion of Blue Note records witnessed Smith at a club in Philadelphia in 1956, the legendary producer immediately signed him – a business relationship that lasted for a mere eight years, but produced some forty albums under Smith’s name. “The Champ”, as Jimmy Smith was also known, mostly recorded in trio-formats with a guitarist and a drummer, but also liked to play with other “funky” Jazz-stars of the time such as Lee Morgan, Lou Donaldson, Grant Green, or Stanley Turrentine. His worldwide popularity and the incredible album-sales allowed him to open up his own club in California in the Seventies, where he regularly appeared in his preferred trio-setting. After a triumphant “comeback” onto the recording-scene in the Eighties, Jimmy Smith was often asked to record with other stars like Quincy Jones and Frank Sinatra, B.B. King, Etta James, and even Michael Jackson. His influence on other organ-players is immeasurable – there was and is not a single organ-player who did not learn a thing or two from Jimmy Smith. Having been named a “NEA Jazz Master”, the highest honor available to a Jazz-musician in the US, he died on February 8th 2005.

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